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moʻolelo

(moh-oh-LEH-loh)

Definition

Noun A story, tale, myth, history, tradition, literature, or legend.

Usage

"Tūtū used to tell us moʻolelo bout da Menehune every night befo bed."

English Translation

Grandma used to tell us stories about the Menehune every night before bed.

Alternates / See Also

moolelo

Origin

Hawaiian

Usage Frequency

High

Submitted by alohas • 1 month ago
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Cultural Context

The word moʻolelo is used by Native Hawaiians, locals, educators, and cultural practitioners to describe stories, histories, and legends. In Hawaiian culture, a moʻolelo is not merely a fictional fairy tale; it encompasses historical accounts, genealogical records, and deeply held traditions passed down through generations. It is highly appropriate to use when discussing the rich oral history of the islands, such as the moʻolelo of Pele and Hiʻiaka, or when referring to the background of a specific wahi pana (sacred place). However, it should be used with respect—calling a deeply sacred historical account a "made-up moʻolelo" would be offensive, as it diminishes the factual and spiritual weight the term carries for the Hawaiian people. Today, you will frequently hear it in academic settings, community meetings, and everyday conversations when someone is sharing the true history or background of a place or family.

The Story

The frost was still thick on the kikuyu grass when Frank killed the engine of his rusted Tacoma. Out here in the back pastures of Waimea, the morning air bit right through his flannel. He grabbed his fencing pliers from the dash, ignoring his nephew, Kekoa, who was staring at his phone in the passenger seat. Kekoa had driven up from Kona with a folder full of mainland developer contracts, talking non-stop about subdivisions and escrow. Frank just wanted to fix the broken wire near the gulch before the heifers got out.

"Uncle, you not even listening," Kekoa said, finally stepping into the mud in his clean Vans. "They offering enough for you to retire. Buy one house down Waikoloa. No need freeze up here." Frank wrapped the heavy gauge wire around the kiawe post, his knuckles white and scarred from forty years of this exact motion. He didn't look at the paperwork. He looked at the ridgeline, where his own grandfather had planted the windbreak.

"You think this is just dirt, boy," Frank said, his voice low and tight, cutting through the wind. "You read those papers, but you don't know the moʻolelo of this place. Every post we standing next to got blood on it from our family. You go back down the mountain and tell those suits this land already spoken for."

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